Arthouse
An action-packed necromantic animated stop-motion love triangle involving a Rocker Boy, a Gothic Girl, and his dead ex-girlfriend set in the middle of a zombie apocalypse during an alien invasion!
When Tom lost his girlfriend BB to a tragic accident on prom night, the police suspected him, his family shunned him, his friends blamed him—or they would have, if he’d had any. Now he writes death metal love songs by BB’s grave – until his restless solitude is shattered when space aliens invade Earth and turn the dead into an army of zombie killers. Battling to save BB from becoming a puppet to alien masters and his own desire to resurrect his lost love, Tom has to dodge bullets, legions of zombies, aliens, death-rays, and global apocalypse. This highly original festival-award-winning film is the first of its kind to feature the animation of puppets-and-hands in the same style that child-sized toy puppeteers have done in toy commercials over the past two decades.
The narrative unfolds on the day Andie returns to her childhood home, moving back in with her parents. Her mother, an assertive talk therapist, immediately urges her to map out her life plan, while her father, a once-renowned playwright, adopts a more carefree approach. Facing unemployment and restricted indulgence in day-drinking, Andie's year at home brims with tumult. Outwardly bewildered about her life's purpose, she redirects her focus to ineffectively assisting others in their quests; coaxing an old high school teacher out of the closet, enlightening her younger brother on feminism, and navigating a series of unsuccessful job attempts. Despite the lack of circumstantial changes, Andie undergoes a transformative journey during these months, becoming more self-assured and accepting of her current place in life.
Gil Avni found himself in a Kafkaesque situation. He lies dying in the ICU, anesthetized and ventilated, diagnosed with cerebral edema. From the medical team fighting for his life and his closest relatives coming to say their goodbyes, Gil learns about his final hours. These 44 hours are told through his testimony and of those who were around him.